Kettering Concerts

Kettering Concerts

Kettering Concert 2020-10-25

Violin & Piano Duo
Sue Collins (violin), Johannes Fritzsch (piano)

Two to Tango

Violin & Piano Duo


  • Sonatina in G minor, Op. posth. 137 No. 3 – Franz Peter Schubert (1797-1828)
  • Sonatina in G major for violin and piano Op. 100 B.183 – Antonín Dvořák (1841-1904)
  • The Hot Canary – Paul Nero (1917-1958)
  • Star Dust – Hoagy Carmichael (1889-1981)
Sunday 25 October 2020, 12 noon
Kettering Community Hall
Tickets only available on-line.
$15 + booking fee No door sales
Stay for the post-concert afternoon tea, meet and chat with the musicians.

Sue Collins

Sue  Collins Sue Collins "Plays these extraordinary scores with a remarkable sureness of touch, following even the most unexpected shifts in phrasing and expressive direction with micro-fine precision."
Julian Haylock, The Strad, May 2009.

At age 14, Susan performed Sarasate’s Zigeunerweissen with the Sydney Symphony Orchestra under the baton of Patrick Thomas at the Sydney Opera House. Since that time, she has performed as soloist and recitalist throughout Australia, the USA and Europe. Critically acclaimed commercial CD releases include the complete violin works of Raymond Hanson (Tall Poppies) with pianist, David Miller, the complete Schumann Piano Trios (ABC Classics) with Kingfisher Trio, and Fritz Hart Music for Violin and Piano with Stephanie McCallum (Toccata Classics).
From 1992 until 2001, Susan held the position of Deputy Concertmaster of the Australian Opera and Ballet Orchestra and in 2003 was awarded the Australian Centenary Medal for her contribution to Opera and Ballet. From 2014 to 2021 she was Head of Strings and Orchestra at University of Tasmania Conservatorium following a 6-year tenure at University of Newcastle. Now based in Queensland, she teaches at Qld Conservatorium, Griffith University.
In recent years, Susan has enjoyed performing as a featured artist in music festivals including Dark Mofo, Synesthesia, Ten Days on the Island and Bangalow festivals. In 2022, Susan conducted the Queensland Youth Orchestra and performed as soloist for the organisation’s fundraising event, was a featured artist at the Newcastle Music Festival, joined the panel of international judges for the Lipizer Violin Competition in Italy, and conducted the Brisbane Philharmonic Orchestra’s final Metro Concert.
Since 2018, Susan is Musical Director of the Riverina Summer School for Strings. In 2021, she founded the Nova Muse Festival in Penguin as Artistic Director, which is a highlight of her year.

Johannes Fritzsch

Johannes Fritzsch

Johannes Fritzsch was appointed Conductor Laureate of the Queensland Symphony Orchestra in November 2014, after his seven year tenure as their Chief Conductor. Since 2018 Johannes has held the position of Principal Guest Conductor of the Tasmanian Symphony Orchestra

From 2006 – 2013 he was Chief Conductor and Artistic Director of the Oper Graz, Grazer Philharmonisches Orchester (Austria). Prior to his appointment in Graz, Johannes held the position of Chief Conductor and Artistic Director Director of the  Staatsoper Nürnberg.

From 1993 until 1999, he was Chief Conductor and Artistic Director of the Städtische Bühnen and the Philharmonic Orchestra in Freiburg. 

Johannes was born in 1960 in Meissen, near Dresden, Germany, where he completed his musical education. He has conducted many great orchestras, both within Germany and internationally. He regularly conducts orchestras in Australia and New Zealand as well as conducting productions for Opera Australia, Opera Queensland, West Australian Opera and South Australian Opera.  In June 2019 Johannes joined the Queenslan Conservatorium as Professor of Opera and Orchestral Studies. Over the past twenty years Johannes has given many Master classes for the German conductor training and development organisation, Dirigentenforum des Deutschen Musikrates. Similarly, he was active and enthusiastic in the training of conducting participants selected to take part in Australia’s Symphony Services International Conductor Development Program.  In 2017 the Tasmanian Symphony Orchestra invited him to design and lead the newly founded Australian Conducting Academy.

Phil Hirst – Artist

Hirst Phil The interplay between water and landscape, in the shadowy boundary between day and night is ever changing and often beautiful. The immensity of the Universe displayed in the night sky inspires awe. Phillip Hirst attempts to convey that awe with his photography

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